School of Historical Studies

Memoria e senso di sé. Sul ruolo della memoria nella teoria della psicologia dall'antichità a Giambattista Vico

Irving Lavin
Introduction of Lina Bolzoni

Irving Lavin
Bernini’s Bumbling Barberini Bees

Irving Lavin
Bernini's Cosmic Eagle

Irving Lavin
Urbanitas Urbana. The Pope, the Artist, and the Genius of the Place

Irving Lavin
The Fable of Apollo Sauroktonos and the Beauty of Apollo Medicus

Irving Lavin
On the Pedestal of Bernini's Bust of the Savior

Irving Lavin
Cephalus and Procris. Transformations of an Ovidian Myth

Irving Lavin
Bernini and the Crossing of Saint Peter's

Irving Lavin
Picasso's Bull(s): Art History in Reverse

Irving Lavin
Les filles d’Avignon. Picassos schöpferische Summe von Zerstörungen

Irving Lavin
The Roma Alessandrina of Richard Krautheimer

Irving Lavin
Picasso's Lithograph(s) "The Bull(s)" and The History of Art in Reverse (PDF version)

Irving Lavin
Bernini giovane

Irving Lavin
Bernini's Portraits of No-Body

Irving Lavin
On Reflection and Retrospection in the History of the Modern Portrait Bust

Irving Lavin
La cristologia di Santa Maria del Fiore

Irving Lavin
Le Bernin et son Image du Roi-Soleil

Irving Lavin
Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss

Irving Lavin
Bernini and the Art of Social Satire

Irving Lavin
Review of Cesare D'Onofrio, ed., Gian Lorenzo Bernini. Fontana di Trevi. Commedia inedita

Irving Lavin
The Hunting Mosaics of Antioch and Their Sources. A Study of Compositional Principles in the Development of Early Mediaeval Style

Irving Lavin
La mort de Bernin: visions de rédemption

Irving Lavin
Picasso's Bull(s): Art History in Reverse

Irving Lavin
The Palace of the Mind

Irving Lavin

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