School of Historical Studies

Iconography

Irving Lavin
Introduction of Richard Krautheimer

Irving Lavin
Michelangelo's Saint Peter's Pietà. The Virgin's Left Hand and Other New Photographs

Irving Lavin
The Body Artist

Irving Lavin
Rembrandt. La sposa ebrea

Irving Lavin
Argan's Rhetoric and the History of Style (Retorica e Barocco),

Irving Lavin
Caravaggio's [em]Calling of St. Matthew[/em]: The Identity of the Protagonist

Irving Lavin
WHIMSY: An Allegory of Urbane Urban Patronage, from Rome to Montreal

Irving Lavin
Bernini's Portraits of No-Body

Irving Lavin
Afterthoughts on 'Bernini's Death'

Irving Lavin
Michelangelo’s Florentine Pietà

Irving Lavin
Picasso's Bull(s): Art History in Reverse

Irving Lavin
Divine Inspiration in Caravaggio's Two St. Matthews

Irving Lavin
The Rome of Alexander VII. Bernini and the Reverse of the Medal

Irving Lavin
Le Bernin et son Image du Roi-Soleil

Irving Lavin
Opening Remarks

Irving Lavin
Five Youthful Sculptures by Gianlorenzo Bernini and a Revised Chronology of his Early Works

Irving Lavin
Rembrandt: ‘La sposa ebrea’, sorella e moglie

Irving Lavin
Gianlorenzo Bernini. New Aspects of his Art and Thought. A Commemorative Volume

Irving Lavin
FOG MAGUS: The Most Complicated Building Ever Built

Irving Lavin
Pisanello and the Invention of the Renaissance Medal

Irving Lavin
Calculated Spontaneity. Bernini and the Terracotta Sketch

Irving Lavin
The Story of O from Giotto to Einstein (Excerpt)

Irving Lavin
Donatello's Kanzeln in San Lorenzo und das Wiederaufleben frühchristlicher Gebräuche: ein Nachwort

Irving Lavin
Presentation of Past-Present. Essays on Historicism in Art from Donatello to Picasso

Irving Lavin

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