School of Historical Studies

Why Baroque

Irving Lavin
Bernini's Memorial Plaque for Carlo Barberini

Irving Lavin
Bernini and the Crossing of Saint Peter's

Irving Lavin
Bologna è una grande intrecciatura di eresie': il Nettuno di Giambologna al crocevia

Irving Lavin
Duquesnoy's Nano di Créqui and Two Busts by Francesco Mochi

Irving Lavin
Les filles d’Avignon. Picassos schöpferische Summe von Zerstörungen

Irving Lavin
Bernini's Bust of Cardinal Montalto

Irving Lavin
Lettres de Parme (1618, 1627-28), et débuts du théâtre baroque

Irving Lavin
Introduction of Lina Bolzoni

Irving Lavin
Bernini’s Bumbling Barberini Bees

Irving Lavin
Urbanitas Urbana. The Pope, the Artist, and the Genius of the Place

Irving Lavin
Rembrandt: ‘La sposa ebrea’, sorella e moglie

Irving Lavin
Panofsky's History of Art

Irving Lavin
Iconography as a Humanistic Discipline (Iconography at the Crossroads)

Irving Lavin
Bernini and the Crossing of St. Peter's

Irving Lavin
Bernini giovane

Irving Lavin
When Vatican Art Goes on the Road

Irving Lavin
An Ancient Statue of the Empress Helen Reidentified (?)

Irving Lavin
On Reflection and Retrospection in the History of the Modern Portrait Bust

Irving Lavin
La cristologia di Santa Maria del Fiore

Irving Lavin
Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss

Irving Lavin
"The Story of O from Giotto to Einstein (Excerpt)"

Irving Lavin
Erwin Panofsky. Three Essays on Style

Irving Lavin
FOG MAGUS: The Most Complicated Building Ever Built

Irving Lavin
The Problem of the Choir of Florence Cathedral

Irving Lavin

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