School of Historical Studies

Rembrandt. La sposa ebrea

Irving Lavin
Picasso's Bull(s): Art History in Reverse

Irving Lavin
The Art of Art History

Irving Lavin
WHIMSY: An Allegory of Urbane Urban Patronage, from Rome to Montreal

Irving Lavin
Fischer von Erlach, Tiepolo, and the Unity of the Visual Arts

Irving Lavin
On the Sources and Meaning of the Renaissance Portrait Bust

Irving Lavin
Michelangelo’s Florentine Pietà

Irving Lavin
Bernini's Cosmic Eagle

Irving Lavin
The Hunting Mosaics of Antioch and Their Sources. A Study of Compositional Principles in the Development of Early Mediaeval Style

Irving Lavin
Introduction of Richard Krautheimer

Irving Lavin
The Body Artist

Irving Lavin
Rembrandt: ‘La sposa ebrea’, sorella e moglie

Irving Lavin
Gianlorenzo Bernini. New Aspects of his Art and Thought. A Commemorative Volume

Irving Lavin
Panofskys Humor

Irving Lavin
Caravaggio's Roman Madonnas

Irving Lavin
Bernini's Baldachin: Considering a Reconsideration

Irving Lavin
Panofsky's History of Art

Irving Lavin
Afterthoughts on 'Bernini's Death'

Irving Lavin
The Rome of Alexander VII. Bernini and the Reverse of the Medal

Irving Lavin
Iconography

Irving Lavin
The Campidoglio and Sixteenth-Century Stage Design

Irving Lavin
Opening Remarks

Irving Lavin
Bozzetti and Modelli. Notes on Sculptural Procedure from the Early Renaissance through Bernini

Irving Lavin
Presentation of Past-Present. Essays on Historicism in Art from Donatello to Picasso

Irving Lavin
Georges de La Tour. The Tears of St. Peter and the 'Occult' Light of Penitence

Irving Lavin

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