School of Historical Studies

Erwin Panofsky. Trois essais sur le style

Irving Lavin
Modern Art and Kirk Varnedoe’s Books

Irving Lavin
Bologna è una grande intrecciatura di eresie': il Nettuno di Giambologna al crocevia

Irving Lavin
The Problem of the Choir of Florence Cathedral

Irving Lavin
Il Volto Santo di Claude Mellan: ostendatque etiam quae occultet

Irving Lavin
Addenda to 'Divine Inspiration'

Irving Lavin
‘Bozzetto Style’: The Renaissance Sculptor’s Handiwork

Irving Lavin
Five Youthful Sculptures by Gianlorenzo Bernini and a Revised Chronology of his Early Works

Irving Lavin
Cultural Heritage and the Implications of the Clandestine Art Trade

Irving Lavin
Bernini e l’immagine del principe cristiano ideale

Irving Lavin
Introduction of Phyllis Lambert

Irving Lavin
Bernini’s Bumbling Barberini Bees

Irving Lavin
The Crisis of ‘Art History'

Irving Lavin
Caravaggio e La Tour. La luce occulta di Dio

Irving Lavin
Fischer von Erlach, Tiepolo, and the Unity of the Visual Arts

Irving Lavin
Bernini's Bust of Cardinal Montalto

Irving Lavin
WHIMSY: An Allegory of Urbane Urban Patronage, from Rome to Montreal

Irving Lavin
Calculated Spontaneity. Bernini and the Terracotta Sketch

Irving Lavin
The Angel and the City. Baccio Bandinelli’s Project for the Castel Sant’Angelo in Rome

Irving Lavin
Review of Rudolf Wittkower, Gian Lorenzo Bernini. The Sculptor of the Roman Baroque

Irving Lavin
Pietro da Cortona and the Frame

Irving Lavin
On the Primitive in African Art

Irving Lavin
Michelangelo: La Madonna Medici, figlio e sposo

Irving Lavin
The Gehry Move

Irving Lavin
Picasso's Bull(s): Art History in Reverse

Irving Lavin

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