School of Historical Studies

The Art of Art History

Irving Lavin
Bernini and the Unity of the Visual Arts

Irving Lavin
On the Sources and Meaning of the Renaissance Portrait Bust

Irving Lavin
“ ‘We must leave the city to our children exactly as we found it’”

Irving Lavin
Picasso's Bull(s): Art History in Reverse

Irving Lavin
The Hunting Mosaics of Antioch and Their Sources. A Study of Compositional Principles in the Development of Early Mediaeval Style

Irving Lavin
Les filles d’Avignon. Picassos schöpferische Summe von Zerstörungen

Irving Lavin
Bernini and Antiquity - The Baroque Paradox. A Poetical View

Irving Lavin
The Reintegration of Sculpture in the Baroque: Ensembles and Decorations

Irving Lavin
Storm King: The Genius of the Place

Irving Lavin
Creativity: The Sketch in the Arts and Sciences, 23-25 May, 2001

Irving Lavin
Storia dell’arte 'all’italiana'

Irving Lavin
Bernini's Baldachin: Considering a Reconsideration

Irving Lavin
Picassos Stiere oder die Kunstgeschichte von hinten

Irving Lavin
Afterthoughts on 'Bernini's Death'

Irving Lavin
“ ‘We must leave the city to our children exactly as we found it’”

Irving Lavin
Caravaggio rivoluzionario o l’impossibilità di vedere

Irving Lavin
The Campidoglio and Sixteenth-Century Stage Design

Irving Lavin
‘We must leave the city to our children exactly as we found it’

Irving Lavin
David's Sling and Michelangelo's Bow: a Sign of Freedom

Irving Lavin
What is Art History?

Irving Lavin
The [em]Roma Alessandrina[/em] of Richard Krautheimer

Irving Lavin
Il problema dei senzatetto nella Roma del Seicento

Irving Lavin
Art versus Artifact

Irving Lavin
Bernini’s Bust of the Medusa: An Awful Pun

Irving Lavin

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