School of Historical Studies

Panofskys Humor

Irving Lavin
Bernini's Portraits of No-Body

Irving Lavin
Frank Stella Talks Too Much

Irving Lavin
The Rome of Alexander VII. Bernini and the Reverse of the Medal

Irving Lavin
Iconography

Irving Lavin
Ornament and Artifact: Possibilities in Cultural Interpretation

Irving Lavin
Bernini in San Pietro

Irving Lavin
Studies on Art and Archeology in Honor of Ernst Kitzinger on his Seventy-Fifth Birthday

Irving Lavin
Bernini and the Art of Social Satire

Irving Lavin
Caravaggio's [em]Calling of St. Matthew[/em]: The Identity of the Protagonist

Irving Lavin
Review of Cesare D'Onofrio, ed., Gian Lorenzo Bernini. Fontana di Trevi. Commedia inedita

Irving Lavin
Review of Cesare D'Onofrio, ed., Gian Lorenzo Bernini. Fontana di Trevi. Commedia inedita

Irving Lavin
Divine Grace and the Remedy of the Imperfect: Michelangelo's Signature on the St. Peter's Pietà

Irving Lavin
Picasso's Bull(s): Art History in Reverse

Irving Lavin
Abstraction in Modern Painting. A Comparison

Irving Lavin
Bernini giovane

Irving Lavin
Le Bernin et son Image du Roi-Soleil

Irving Lavin
Reception honoring the Centennial of the Kunsthistorisches Institut Florenz, Introductory Remarks

Irving Lavin
Storm King: The Genius of the Place

Irving Lavin
Meaning in the Visual Arts: Views from the Outside. A Centennial in Commemoration of Erwin Panofsky (1892-1968)

Irving Lavin
The Art of Art History

Irving Lavin
Bernini's Memorial Plaque for Carlo Barberini

Irving Lavin
Picassos Stiere oder die Kunstgeschichte von hinten

Irving Lavin
Duquesnoy's Nano di Créqui and Two Busts by Francesco Mochi

Irving Lavin
Argan's Rhetoric and the History of Style (Retorica e Barocco),

Irving Lavin

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