- Cephalus and Procris. Transformations of an Ovidian Myth
- Cephalus and Procris. Underground Transformations
- Pietro da Cortona and the Frame
- Gian Lorenzo Bernini. The Sculptor of the Roman Baroque
- Decorazioni barocche in San Silvestro in Capite a Roma
- An Observation on 'Medievalism' in Early Sixteenth Century Style
- The Sources of Donatello's Pulpits in San Lorenzo. Revival and Freedom of Choice in the Early Renaissance
- The Great Palace of the Byzantine Emperors
- Abstraction in Modern Painting. A Comparison
- The House of the Lord, Aspects of the Role of Palace Triclinia in the Architecture of Late Antiquity and the Early Middle Ages
- The Hunting Mosaics of Antioch and Their Sources. A Study of Compositional Principles in the Development of Early Mediaeval Style
- Die Mosaikfussböden in Arsameia am Nymphaios
- Lettres de Parme (1618, 1627-28), et débuts du théâtre baroque
- Gian Lorenzo Bernini. Fontana di Trevi. Commedia inedita
- The Campidoglio and Sixteenth-Century Stage Design
- Theatre Festivals of the Medici 1539-1637
- Italian High Renaissance and Baroque Sculpture
- Michelangelo's Saint Peter's Pietà. The Virgin's Left Hand and Other New Photographs
- An Ancient Statue of the Empress Helen Reidentified (?)
- Bozzetti and Modelli. Notes on Sculptural Procedure from the Early Renaissance through Bernini
- The Ceiling Frescoes in Trier and Illusionism in Constantinian Painting
- Five Youthful Sculptures by Gianlorenzo Bernini and a Revised Chronology of his Early Works
- Duquesnoy's Nano di Créqui and Two Busts by Francesco Mochi
- On the Sources and Meaning of the Renaissance Portrait Bust
- Pietro da Cortona Documents from the Barberini Archive
- Bernini's Death
- Afterthoughts on 'Bernini's Death'
- Bernini and the Crossing of St. Peter's
- Divine Inspiration in Caravaggio's Two [em]St. Matthews[/em]
- Addenda to 'Divine Inspiration'
- On Illusion and Allusion in Italian Sixteenth-Century Portrait Busts
- Michelangelo's Unfinished Works
- The Sculptor's 'Last Will and Testament'
- Calculated Spontaneity. Bernini and the Terracotta Sketch
- On the Pedestal of Bernini's Bust of the Savior
- A Further Note on the Ancestry of Caravaggio's First [em]Saint Matthew[/em]
- Bernini and the Art of Social Satire
- When Vatican Art Goes on the Road
- Words in Memory of Horst Woldemar Janson
- The Art of Art History
- Bernini's Memorial Plaque for Carlo Barberini
- Bernini's Baldachin: Considering a Reconsideration
- Bernini's Bust of Cardinal Montalto
- Bernini's Cosmic Eagle
- Iconography
- Obituary. Howard Hibbard 1928-84
- Le Bernin et son Image du Roi-Soleil
- Bernini and Antiquity - The Baroque Paradox. A Poetical View
- Donatello's Kanzeln in San Lorenzo und das Wiederaufleben frühchristlicher Gebräuche: ein Nachwort
- The Relationship between Art and Architecture. Summary of a Workshop sponsored by the Frederick R. Weisman Art Foundation. 21-22 January, 1989
- David's Sling and Michelangelo's Bow: a Sign of Freedom
- A Fragment
- High and Low Before their Time: Bernini and the Art of Social Satire
- 'Bologna è una grande intrecciatura di eresie': il Nettuno di Giambologna al crocevia
- Fischer von Erlach, Tiepolo, and the Unity of the Visual Arts
- Iconography as a Humanistic Discipline (Iconography at the Crossroads)
- Memoria e senso di sé. Sul ruolo della memoria nella teoria della psicologia dall'antichità a Giambattista Vico
- Panofsky's History of Art
- Bernini's Portraits of No-Body
- Caravaggio's [em]Calling of St. Matthew[/em]: The Identity of the Protagonist
- Panofskys Humor
- Picasso's Bull(s): Art History in Reverse
- Pisanello and the Invention of the Renaissance Medal
- Caravaggio rivoluzionario o l’impossibilità di vedere
- Erwin Panofsky, Jan van Eyck, Philip Pearlstein
- Erwin Panofsky. Three Essays on Style,
- Why Baroque
- The Crisis of 'Art History' in Art History and Its Theories
- The Problem of the Choir of Florence Cathedral
- The [em]Roma Alessandrina[/em] of Richard Krautheimer
- Bernini’s Bust of the Medusa: An Awful Pun
- Il problema dei senzatetto nella Roma del Seicento
- [em]Ex Uno Lapide:[/em] The Renaissance Sculptor’s [em]Tour de Force[/em]
- American Panofsky
- Il busto di Francesco I d’Este di Bernini. ‘Impresa quasi impossibile’
- Bernini e l’immagine del principe cristiano ideale
- Bernini’s Bumbling Barberini Bees
- The Body Artist
- La cristologia di Santa Maria del Fiore
- Michelangelo: La Madonna Medici, figlio e sposo
- Kunsthistorisches Institut in Florenz. Einhundertjähriges Jubiläum 1897-1997. Jahresbericht
- Rembrandt: ‘La sposa ebrea’, sorella e moglie
- Bernini in San Pietro
- Georges de La Tour. The Tears of St. Peter and the 'Occult' Light of Penitence
- Storm King: The Genius of the Place
- Bernini-Bozzetti: One More, One Less. A Berninesque Sculptor in Mid-Eighteenth Century France
- ‘Bozzetto Style’: The Renaissance Sculptor’s Handiwork
- Les filles d’Avignon. Picassos schöpferische Summe von Zerstörungen
- The Angel and the City. Baccio Bandinelli’s Project for the Castel Sant’Angelo in Rome
- Michelangelo’s Florentine Pietà
- La mort de Bernin: visions de rédemption
- The Story of O from Giotto to Einstein (Excerpt)
- Bernini giovane
- The Rome of Alexander VII. Bernini and the Reverse of the Medal
- Reason and Unreason at Olynthus
- Il dono regale. Bernini e i suoi ritratti di sovrani
- [em]Il Volto Santo[/em] di Claude Mellan: [em]ostendatque etiam quae occultet[/em]
- Michelangelo, Mosè e il ‘papa guerriero’
- ‘We must leave the city to our children exactly as we found it’
- [em]Urbanitas Urbana[/em]. The Pope, the Artist, and the Genius of the Place
- Modern Art and Kirk Varnedoe’s Books
- The Baldacchino. Borromini vs Bernini: Did Borromini forget himself?
- WHIMSY: An Allegory of Urbane Urban Patronage, from Rome to Montreal
- Frank Stella Talks Too Much
- Frank Stella: [em]Ut pictura poesis[/em]
- Storia dell’arte 'all’italiana'
- Marc Fumaroli’s Rhetoric of Art History
- Footsteps on the Way to Redemption. The Pedestals of Bernini’s Baldacchino in St. Peter’s
- Argan's Rhetoric and the History of Style (Retorica e Barocco),
- Divine Grace and the Remedy of the Imperfect: Michelangelo's Signature on the St. Peter's [em]Pietà[/em]
- Bonaventure, Bessarion and the Franciscan Coat of Arms
- 'Italia Mia'. Argan, Modena, and an unexpected project by Frank O. Gehry
- FOG MAGUS: The Most Complicated Building Ever Built
- Il [em]Sangue di Cristo[/em] riscoperto
- What is Baroque
- Socrates Modern
- Bernini and the Figura serpentinata: a drawing recently given to the Princeton Art Museum by Charles Scribner III in honor of Irving Lavin
- Caravaggio Magister and the Beatles
- Bernini's Bust of Prospero Farinacci