Reprinted, slightly expanded, in English: “On the Unity of the Arts and the Early Baroque Opera House,” in Barbara Wisch and Susan Scott Munshower, eds., “All the world's a stage...”
Lettres de Parme (1618, 1627-28), et débuts du théâtre baroque
Fischer von Erlach, Tiepolo, and the Unity of the Visual Arts
Author:
Irving Lavin
Last Name:
Lavin
Type:
article
Journal:
An Architectural Progress in the Renaissance and Baroque. Sojourns In and Out of Italy. Essays in Architectural History Presented to Hellmut Hager on his Sixty-Sixth Birthday
Year:
1992
Location:
(Papers in Art History from the Pennsylvania State University, VIII), University Park, PA
Revised and enlarged version as “Picasso's Lithograph(s) ‘The Bull(s)’ and the History of Art in Reverse (with a Postscript on Picasso’s Bulls in American Retrospect: John Cage, Jasper Johns and Roy Lichtenstein),”
Revised, upgraded and enlarged English version, “Picasso's Lithograph(s) ‘The Bull(s)’ and the History of Art in Reverse (with a Postscript on Picasso’s Bulls in American Retrospect: John Cage, Jasper Johns and Roy Lichtenstein),”
Pisanello and the Invention of the Renaissance Medal
Author:
Irving Lavin
Last Name:
Lavin
Type:
article
Journal:
Italienische Frührenaissance und nordeuropäisches Mittelalter. Kunst der frühen Neuzeit im europäischen Zusammenhang
Excerpt from revised and expanded version: “Decantarse por el Barroco [Frank Gehry y los paños plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],”
Why Baroque
Author:
Irving Lavin
Last Name:
Lavin
With:
Revised and expanded version: “Going for Baroque: Observations on the post-modern fold,”
Type:
article version
Journal:
Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002
Bernini-Bozzetti: One More, One Less. A Berninesque Sculptor in Mid-Eighteenth Century France
Author:
Irving Lavin
Last Name:
Lavin
Type:
article version
Journal:
Accademia Nazionale dei Lincei. Atti dei convegni lincei 170. Convegno internazionale La cultura letteraria italiana e l’identità europea [Roma, 6-8 aprile 2000]
‘Bozzetto Style’: The Renaissance Sculptor’s Handiwork
Author:
Irving Lavin
Last Name:
Lavin
Type:
article
Journal:
Creativity: The Sketch in the Arts and Sciences
Year:
May 23-25, 2001, unpublished
Location:
A Conference Sponsored Jointly by the School of Historical Studies, Institute for Advanced Study, and the Center for Advanced Study in the Visual Arts, National Gallery of Art
(Revised and expanded version of essay first presented at a symposium in celebration of Phyllis Lambert’s Eightieth Birthday, January 24, 1927, at the Institute of Fine Arts, New York University, October 20, 2007, organized by Sylvia Lavin), published in
presented at a Symposium at the University of Jena, Germany, March 24, 2001, in conjunction with an exhibition of Stella’s Heinrich von Kleist series; see Franz-Joachim Verspohl, et al., eds.