Irving Lavin's Bibliography and Publications Online

BIBLIOGRAPHY (PDF)

PUBLICATIONS ONLINE:

Books

  • Bernini and the Crossing of Saint Peter#39;s (Monographs on Archaeology and the Fine Arts sponsored by the Archaeological Institute of America and the College Art Association of America, XVII), New York, 1968
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 62-185 (PDF)
  • Bernini and the Unity of the Visual Arts, Oxford University Press, The Pierpont Morgan Library, 2 vols., New York and London, 1980
    • Italian translation: Bernini e l#39;unitaacute; delle arti visive, Rome, 1980)
  • Bernin et l#39;art de la satire sociale (Essais et Confeacute;rences, College de France), Paris, 1987
  • Past-Present.nbsp; Essays on Historicism in Art from Donatello to Picasso, Berkeley, CA, 1993
    • Second, enlarged edition in Italian: Passato e presente nella storia dellrsquo;arte, Turin, 1994
  • Picassos Stiere oder die Kunstgeschichte von hinten, Berlin, 1995
    • Second, enlarged edition, Berlin, 2007
  • Bernini e il salvatore.nbsp; La ldquo;buona morterdquo; nella Roma del seicento, Rome, 1998
  • Bernini e lrsquo;immagine del principe cristiano ideale, Modena, 1998
  • Santa Maria del Fiore.nbsp; Il duomo di Firenze e la Vergine incinta, Rome, 1999
  • [With Marilyn Aronberg Lavin] Liturgia d#39;amore.nbsp; Immagini dal Canto dei Cantici nell#39;arte di Cimabue, Michelangelo, e Rembrandt, Modena, 1999
    • Revised edition in English: The Liturgy of Love: Images from the Song of Songs in the Art of Cimabue, Michelangelo, and Rembrandt [The Franklyn D. Murphy Lectures XIV], Lawrence, KA, 2001
  • Caravaggio e La Tour. La luce occulta di Dio, Rome, 2000
  • [With Marilyn Aronberg Lavin]nbsp; Rembrandt. La sposa ebrea, Modena, 2006
  • ldquo;Tenemos que dejar a nuestros hijos la ciudad tal como la hemos encontradordquo;nbsp; ldquo;We must leave the city to our children exactly as we found itrdquo;, Barcelona, 2006
  • Visible Spirit.nbsp; The Art of Gianlorenzo Bernini, 2 vols., London, 2007-09
  • Lrsquo;arte della storia dellrsquo;arte, Milan, 2008
  • Bernini at St. Peterrsquo;s. The Pilgrimage, London, 2012
  • Editor [with John Plummer], Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss, New York, 1977
  • Editor [with seminar students], Drawings by Gianlorenzo Bernini from the Museum der bildenden Kuuml;nste, Leipzig, Exhibition Catalogue, Princeton, 1981
  • Editor, Gianlorenzo Bernini. New Aspects of his Art and Thought. A Commemorative Volume, University Park PA, and London, 1985
  • Editor [with William Tronzo], Studies on Art and Archeology in Honor of Ernst Kitzinger on his Seventy-Fifth Birthday (Dumbarton Oaks Papers, XLI), Washington, D.C., 1987
  • Editor, World Art.nbsp; Themes of Unity in Diversity (Acts of the Twenty-Sixth International Congress of the History of Art), 3 vols., University Park and London, 1989
  • Editor, Erwin Panofsky.nbsp; Three Essays on Style, Cambridge, MA, and London, 1995
    • Italian translation: Erwin Panofsky.nbsp; Tre saggi sullo stile.nbsp; Il barocco, il cinema, la Rolls-Royce, Milan, 1996; Milan, 2011
    • French translation: Erwin Panofsky.nbsp; Trois essais sur le style, Mayenne, 1996
    • Spanish translation: Erwin Panofsky.nbsp; Sobre el estilo, Barcelona, etc., 2000
  • Editor, Meaning in the Visual Arts: Views from the Outside.nbsp; A Centennial in Commemoration of Erwin Panofsky (1892-1968), Princeton, 1995
  • Editor [with Henry Millon],nbsp; Creativity: The Sketch in the Arts and Sciences, 23-25 May, 2001, Institute for Advanced Study, Princeton, The Nationalnbsp; Gallery of Art, Washington, forthcoming

Articles, Reviews, etc.

  1. ldquo;Cephalus and Procris. Transformations of an Ovidian Myth,rdquo; Journal of the Warburg and Courtauld Institutes, XVII, 1954, 260-87 (PDF)
  2. ldquo;Cephalus and Procris. Underground Transformations,rdquo; Journal of the Warburg and Courtauld Institutes, XVII, 1954, 366-72 (PDF)
  3. ldquo;Pietro da Cortona and the Frame,rdquo; Art Quarterly, XIX, 1956, 55-9 (PDF)
  4. Review of Rudolf Wittkower, Gian Lorenzo Bernini. The Sculptor of the Roman Baroque, London, 1955, in The Art Bulletin, XXXVIII, 1956, 255-60 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 1-14 (PDF)
  5. ldquo;Decorazioni barocche in San Silvestro in Capite a Roma,rdquo; Bollettino d#39;arte, XLII, 1957, 44-9 (PDF)
  6. ldquo;An Observation on #39;Medievalism#39; in Early Sixteenth Century Style,rdquo; Gazette des Beaux-Arts, L, 1957, 113-8 (PDF)
  7. ldquo;The Sources of Donatello#39;s Pulpits in San Lorenzo. Revival and Freedom of Choice in the Early Renaissance,rdquo; The Art Bulletin, XLI, 1959, 19-38 (PDF)
  8. [With Cyril Mango] Review of David Talbot Rice, ed., The Great Palace of the Byzantine Emperors, Edinburgh, 1958, in The Art Bulletin, XLII, 1960, 67-73 (PDF)
  9. ldquo;Abstraction in Modern Painting. A Comparison,quot; Metropolitan Museum Bulletin, XIX, 1961, 166-71 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 104ndash;11
  10. quot;The House of the Lord, Aspects of the Role of Palace Triclinia in the Architecture of Late Antiquity and the Early Middle Ages,quot; The Art Bulletin, XLIV, 1962, 1-27 (PDF)
  11. ldquo;The Hunting Mosaics of Antioch and Their Sources. A Study of Compositional Principles in the Development of Early Mediaeval Style,rdquo; Dumbarton Oaks Papers, XVII, 1963, 179-286 (PDF)
  12. ldquo;Die Mosaikfussbouml;den in Arsameia am Nymphaios, rdquo; in Friedrich Karl Dorner, ed., Arsameia am Nymphaios. Die Ausgrabungen ...von 1953-56 (Istanbuler Forschungen, XXIII), Berlin, 1963, 191-6 (PDF)
  13. ldquo;Lettres de Parme (1618, 1627-28), et deacute;buts du theacute;acirc;tre baroque,rdquo; in Jean Jacquot, ed., Le Lieu theacute;acirc;tral agrave; la Renaissance, Paris, 1964, 105-58
    • Reprinted, slightly expanded, in English: ldquo;On the Unity of the Arts and the Early Baroque Opera House,rdquo; in Barbara Wisch and Susan Scott Munshower, eds., ldquo;All the world#39;s a stage...rdquo; Art and Pageantry in the Renaissance and Baroque [Papers in Art History from the Pennsylvania State University, VI], University Park, PA, 1990, Part 2, 518-79 (PDF)
    • Abbreviated in Perspecta. The Yale Architecture Journal, XXVI, 1990, 1-20
  14. Review of Cesare D#39;Onofrio, ed., Gian Lorenzo Bernini. Fontana di Trevi. Commedia inedita, Rome, 1963, in The Art Bulletin, XLVI, 1964, 568-73 (PDF)
    • Reprinted with revisions as ldquo;Bernini and the Theater,rdquo; in Lavin, Bernini and the Unity of the Visual Arts, 1980, 146-58 (PDF)
    • Italian translation in Lavin, Bernini e l#39;unitagrave; delle arti visive, 1980, 158-70
    • Revised and reprinted as quot;Bernini and the Theater,quot; in Lavin, Visible Spirit, I, London, 2007, 15-32 (PDF)
  15. ldquo;The Campidoglio and Sixteenth-Century Stage Design, rdquo; in Essays in Honor of Walter Friedlaender (Marsyas, Suppl. II), New York, 1965, 114-8 (PDF)
  16. Review of Alois Maria Nagler, Theatre Festivals of the Medici 1539-1637, New Haven and London, 1964, in Journal of the Society of Architectural Historians, XXIV, 1965, 327-8 (PDF)
  17. Review of John Pope-Hennessy, Italian High Renaissance and Baroque Sculpture, London, 1963, in The Art Bulletin, XLVII, 1965, 378-83 (PDF)
  18. ldquo;Michelangelo#39;s Saint Peter#39;s Pietagrave;. The Virgin#39;s Left Hand and Other New Photographs,rdquo; The Art Bulletin, XLVIII, 1966, 103-4 (PDF)
  19. ldquo;An Ancient Statue of the Empress Helen Reidentified (?),rdquo; The Art Bulletin, XLIX, 1967, 58 (PDF)
  20. ldquo;Bozzetti and Modelli. Notes on Sculptural Procedure from the Early Renaissance through Bernini,rdquo; in Stil und Uuml;berlieferung in der Kunst des Abendlandes. Akten des 21. internationalen Kongresses fuuml;r Kunstgeschichte in Bonn 1964, Berlin, 1967, III, 93-104 (PDF)
    • Russian translation in SergAuml;rsaquo;i Olegovich Androsov, ed., Pages of History in Western European Sculpture, St. Petersburg, 1993, 62-81
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 33-61 (PDF)
  21. ldquo;The Ceiling Frescoes in Trier and Illusionism in Constantinian Painting,rdquo; Dumbarton Oaks Papers, XXI, 1967, 97-113 (PDF)
  22. ldquo;Five Youthful Sculptures by Gianlorenzo Bernini and a Revised Chronology of his Early Works,rdquo; The Art Bulletin, L, 1968, 223-48 (PDF)
    • Revised and reprinted as quot;Five New Youthful Sculptures by Gianlorenzo Bernini and a Revised Chronology of his Early Works,quot; in Lavin, Visible Spirit, I, London, 2007, 186-286 (PDF)
  23. [With the collaboration of Marilyn Aronberg Lavin] ldquo;Duquesnoy#39;s Nano di Creacute;qui and Two Busts by Francesco Mochi,rdquo; The Art Bulletin, LII, 1970, 132-49 (PDF)
    • Excerpt published in Italian in Francesco Mochi, 1580-1654, Florence, 1981, 17-8
  24. ldquo;On the Sources and Meaning of the Renaissance Portrait Bust,rdquo; Art Quarterly, XXXIII, 1970, 207-26 (PDF)
    • Reprinted in Sarah Blake McHam, ed., Looking at Italian Renaissance Sculpture, Cambridge, etc., 1998, 60-78
  25. [With the collaboration of Marilyn Aronberg Lavin] ldquo;Pietro da Cortona Documents from the Barberini Archive,rdquo; The Burlington Magazine, CXII, 1970, 446-51 (PDF)
  26. ldquo;Bernini#39;s Death,rdquo; The Art Bulletin, LIV, 1972, 158-86 (PDF)
    • Partially reprinted in George C. Bauer, Bernini in Perspective, Englewood Cliffs, 1976, 111-26
    • Italian translation in Le immagini del SS.mo Salvatore. Fabbriche e sculture per l#39;Ospizio Apostolico dei Poveri Invalidi, exhib. cat., Rome, 1988, 229-57, and in Lavin, Bernini e il salvatore, 1998, 15-54
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 287-353 (PDF)
  27. ldquo;Afterthoughts on #39;Bernini#39;s Death#39;,rdquo; The Art Bulletin, LV, 1973, 429-36 (PDF)
    • Italian translation in Bruno Contardi, ed., Le immagini del SS.mo Salvatore. Fabbriche e sculture per l#39;Ospizio Apostolico dei Poveri Invalidi, exhib. cat., Rome, 1988, 258-64
    • Italian translation in Lavin, Bernini e il salvatore, 1988, 55-61
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 354-370 (PDF)
  28. Letter to the Editor on a review by Howard Hibbard of Bernini and the Crossing of St. Peter#39;s, in The Art Bulletin, LV, 1973, 475-6 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 371-375 (PDF)
  29. ldquo;Divine Inspiration in Caravaggio#39;s Two St. Matthews,rdquo; The Art Bulletin, LVI, 1974, 59-81 (PDF)
    • Italian translation in Lavin, Passato e presente, 1994, 125-69
  30. ldquo;Addenda to #39;Divine Inspiration#39;,rdquo; The Art Bulletin, LVI, 1974, 590-1 (PDF)
    • Italian translation in Lavin, Passato e presente, 1994, 160-9
  31. ldquo;On Illusion and Allusion in Italian Sixteenth-Century Portrait Busts,rdquo; Proceedings of the American Philosophical Society, CXIX, 1975, 353-62 (PDF)
  32. Letter to the editor on an article by Juergen Schulz, ldquo;Michelangelo#39;s Unfinished Works,rdquo; The Art Bulletin, LVIII, 1976, 148 (PDF)
  33. ldquo;The Sculptor#39;s #39;Last Will and Testament#39;,rdquo; Allen Memorial Art Museum Bulletin. Oberlin College, XXXV, 1977-8, 4-39 (PDF)
  34. ldquo;Calculated Spontaneity. Bernini and the Terracotta Sketch,rdquo; Apollo, CVII, 1978, 398-405 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 376-392 (PDF)
  35. ldquo;On the Pedestal of Bernini#39;s Bust of the Savior,rdquo; The Art Bulletin, LX, 1978, 547 (PDF)
    • Italian translation in Bruno Contardi, ed., Le immagini del SS.mo Salvatore. Fabbriche e sculture per l#39;Ospizio Apostolico dei Poveri Invalidi, exhib. cat., Rome, 1988, 265f.
    • Italian translation in Lavin, Bernini e il salvatore, 1998, 63-4
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 393-396 (PDF)
  36. ldquo;A Further Note on the Ancestry of Caravaggio#39;s First Saint Matthew,rdquo; The Art Bulletin, LXII, 1980, 113-4 (PDF)
    • Italian translation in Lavin, Passato e presente, 1994, 161-9
  37. ldquo;Bernini and the Art of Social Satire,rdquo; in Lavin [with seminar students], Drawings by Gianlorenzo Bernini, 1981, 26-54, 336-7, 349-56 (PDF)
    • Italian translation in Marcello Fagiolo and Gianfranco Spagnesi, eds., Immagini del barocco. Bernini e la cultura del seicento, Florence, 1982, 93-116
    • Reprinted in History of European Ideas, IV, 1983, 365-420
    • French translation in Lavin, Bernin et l#39;art de la satire sociale, 1987
    • Reprinted here with added introduction as listed below, No. 53, quot;High and Low,quot; 1990
  38. ldquo;When Vatican Art Goes on the Road,rdquo; Letter to the editor, New York Times, Sunday, December 12, 1982, 18E (PDF)
  39. ldquo;Words in Memory of Horst Woldemar Janson,rdquo; CAA [College Art Association] Newsletter, VII, no. 7, 1982, Supplement, 3f. (PDF)
  40. ldquo;The Art of Art History,rdquo; ARTnews, LXXXII, 1983, 96-101
    • Reprinted in World Futures, XL, 1994, 13-25
    • Spanish translation in Juana Gutieacute;rrez Haces, ed., XV Coloquio Internacional de Historia del Arte, Los Discursos Sobre el Arte, Mexico D.F., 1995, 19-34
    • Reprinted in Leonardo, XXIX, 1996, 29-34 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 8-15
  41. ldquo;Bernini#39;s Memorial Plaque for Carlo Barberini,rdquo; Journal of the Society of Architectural Historians, XLII, no. 1, 1983, 6-10 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 469-479 (PDF)
  42. ldquo;Bernini#39;s Baldachin: Considering a Reconsideration,rdquo; Rouml;misches Jahrbuch fuuml;r Kunstgeschichte, XXI, 1984, 405-14 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 480-495 (PDF)
  43. ldquo;Bernini#39;s Bust of Cardinal Montalto,rdquo; Idea, III, 1984, 87-95 (PDF)
    • Also published in The Burlington Magazine, CXXVII, 1985, 32-8
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 496-508 (PDF)
  44. ldquo;Bernini#39;s Cosmic Eagle,rdquo; in Irving Lavin, ed., Gianlorenzo Bernini. New Aspects of His Art and Thought, 1985, 209-14 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 509-523 (PDF)
  45. ldquo;Iconography,rdquo; in Laura Corti and Marilyn Schmitt, eds., Automatic Processing of Art History Data and Documents. Pisa. Scuola Normale Superiore. September 24-27, 1984. Proceedings, Florence, 1985, 321-31 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 150-5
  46. ldquo;Obituary. Howard Hibbard 1928-84,rdquo; Burlington Magazine, CXXVII, 1985, 305 (PDF)
  47. ldquo;Le Bernin et son Image du Roi-Soleil,rdquo; in ldquo;Il se rendit en Italie.rdquo; Etudes offertes agrave; Andreacute; Chastel, Rome, 1987, 441-78
    • Revised and expanded Italian translation in Marcello Fagiolo and Maria Luisa Madonna, eds., Il barocco romano e l#39;Europa, Rome, 1992, 3-58
    • English version: ldquo;Berninirsquo;s Image of the Sun King,rdquo; in Lavin, Past-Present, 1993, 139-202 (PDF)
    • Italian translation in Lavin, Passato e presente, 1994, 223-305
    • Revised and reprinted English version: ldquo;Berninirsquo;s Image of the Sun King,rdquo; in Lavin, Visible Spirit, I, London, 2007, 524-643 (PDF)
  48. ldquo;Bernini and Antiquity - The Baroque Paradox. A Poetical View,rdquo; in Herbert Beck and Sabine Schulze, eds., Antikenrezeption im Hochbarock, Berlin, 1989, 9-36 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, II, 2009, 645-680 (PDF)
  49. ldquo;Donatello#39;s Kanzeln in San Lorenzo und das Wiederaufleben fruuml;hchristlicher Gebrauml;uche: ein Nachwort,rdquo; in Monika Cauml;mmerer, ed., Donatello - Studien (Italienische Forschungen, Ser. 3, XVI), Munich, 1989, 155-69 (PDF)
    • Revised and expanded English version: ldquo;Donatellorsquo;s Bronze Pulpits in San Lorenzo and the Early Christian Revivalrdquo; in Lavin, Past-Present, 1993, 1-28 (PDF)
    • Italian translation in Lavin, Passato e presente, 1994, 3-44
  50. Group discussion published in The Relationship between Art and Architecture. Summary of a Workshop sponsored by the Frederick R. Weisman Art Foundation. 21-22 January, 1989, Santa Monica, CA, 1990 (PDF)
  51. ldquo;David#39;s Sling and Michelangelo#39;s Bow: a Sign of Freedom,rdquo; in L#39;Art et les reacute;volutions. Confeacute;rences pleacute;niegrave;res. XXVIIe congregrave;s international d#39;histoire de l#39;art, Strasbourg, 1990, 105-46 (PDF)
    • Reprinted in Matthias Winner, ed., Der Kuuml;nstler uuml;ber sich in seinem Werk. Internationales Symposium der Bibliotheca Hertziana Rom 1989, Weinheim, 1992, 161-90
    • Revised and expanded version in Lavin, Past-Present, 1993, 29-62 (PDF)
    • Italian translation in Lavin, Passato e presente, 1994, 45-83
    • Reprinted in William E. Wallace, ed., Michelangelo. Selected Scholarship in English, 5 vols., New York and London, 1995, I, 363-402
  52. ldquo;A Fragment,rdquo; in Paul Suttman. The Master-Pieces. 1981-1991, New York, 1991, 3 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 142-3
  53. ldquo;High and Low Before their Time: Bernini and the Art of Social Satire,rdquo; in Kirk Varnedoe and Adam Gopnik, eds., Modern Art and Popular Culture. Readings in High amp; Low, New York, 1990, 18ndash;50 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, I, London, 2007, 397-468 (PDF)
  54. ldquo;#39;Bologna egrave; una grande intrecciatura di eresie#39;: il Nettuno di Giambologna al crocevia,rdquo; in Giovanna Perini, ed., Il luogo ed il ruolo della cittagrave; di Bologna tra Europa continentale e mediterranea. Atti del colloquio C.I.H.A. 1990, Bologna, 1992, 7-30
    • Revised and expanded English version: ldquo;Giambolognarsquo;s Neptune at the Crossroads,rdquo; in Lavin, Past-Present, 1993, 63-83 (PDF)
    • Italian translation in Lavin, Passato e presente, 1994, 93-124
  55. ldquo;Fischer von Erlach, Tiepolo, and the Unity of the Visual Arts,rdquo; in Henry A. Millon and Susan Scott Munshower, eds., An Architectural Progress in the Renaissance and Baroque. Sojourns In and Out of Italy. Essays in Architectural History Presented to Hellmut Hager on his Sixty-Sixth Birthday (Papers in Art History from the Pennsylvania State University, VIII), University Park, PA, 1992, Part 2, 498-525 (PDF)
    • German translation in Barock. Regional-International. Kunsthistorisches Jahrbuch Graz, XXVI, Graz, 1993, 251-74
  56. ldquo;Iconography as a Humanistic Discipline (Iconography at the Crossroads),rdquo; in Brendan Cassidy, ed., Iconography at the Crossroads. Papers from the Colloquium Sponsored by the Index of Christian Art, Princeton University, 23-24 March, 1990, Princeton, 1992, 33-42 (PDF)
    • German translation in Andreas Beyer, ed., Die Lesbarkeit der Kunst. Zur Geistes-Gegenwart der Ikonologie, Berlin, 1992, 10-22
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 156-67
  57. ldquo;Memoria e senso di seacute;. Sul ruolo della memoria nella teoria della psicologia dall#39;antichitagrave; a Giambattista Vico,rdquo; in Lina Bolzoni and Pietro Corsi, eds., La cultura della memoria, Bologna, 1992, 291-317 (PDF)
  58. ldquo;Panofsky#39;s History of Art,rdquo; in From the Past to the Future through the Present. Conversations with Historians at the Institute for Advanced Study, Princeton, NJ, 1992, 21-5
    • Reprinted in Lavin, ed., Meaning in the Visual Arts, 1995, 3-8 (PDF)
  59. ldquo;Bernini#39;s Portraits of No-Body,rdquo; in Augusto Gentili, et al., eds., Il ritratto e la memoria. Materiali 3, Rome, 1993, 161-94
    • Revised and expanded version in Lavin, Past-Present, 1993, 101-38
    • Italian translation in Lavin, Passato e presente, 1994, 193-232
    • Revised and reprinted in Lavin, Visible Spirit, II, London, 2009, 681-747 (PDF)
  60. quot;Caravaggio#39;s Calling of St. Matthew: The Identity of the Protagonist,quot; in Lavin, Past-Present, 1993, 84-99
  61. ldquo;Panofskys Humor,rdquo; in Erwin Panofsky, Die ideologischen Vorlauml;ufer des Rolls-Royce Kuuml;hlers amp; Stil und Medium im Film. Mit Beitrauml;gen von Irving Lavin und William S. Heckscher, Frankfurt-New York, 1993, 9-15 (PDF) (German translation of part of the Introduction to Lavin, ed., Erwin Panofsky. Three Essays on Style, 1995, 3-14 PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 168-83
  62. ldquo;Picasso#39;s Bull(s): Art History in Reverse,rdquo; Art in America, LXXXI, 1993, 76-93, 121-3 (PDF)
    • Revised and expanded version in Lavin, Past-Present, 1993, 203-62
    • Italian translation in Lavin, Passato e presente, 1994, 325-406
    • German translation in Lavin, Picassos Stiere, 1995
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 62-100
    • Spanish translation in Francisco Jarauta, ed., Las ideas del arte de Altamira a Picasso (Cuadernos de la Fundacioacute;n M. Botiacute;n), Santander, 2009, 15-78 (PDF)
    • Revised and enlarged version as ldquo;Picasso#39;s Lithograph(s) lsquo;The Bull(s)rsquo; and the History of Art in Reverse (with a Postscript on Picassorsquo;s Bulls in American Retrospect: John Cage, Jasper Johns and Roy Lichtenstein),rdquo; in English, French and Spanish, on-line in Ojo, No. 10, May 2010: http://www.picasso.fr/us/picasso_page_archives.php (click on: El Journal, No. 10 May 2010) (PDF)
  63. ldquo;Pisanello and the Invention of the Renaissance Medal,rdquo; in Joachim Poeschke, ed., Italienische Fruuml;hrenaissance und nordeuropauml;isches Mittelalter. Kunst der fruuml;hen Neuzeit im europauml;ischen Zusammenhang, Munich, 1993, 67-84 (PDF)
  64. ldquo;Caravaggio rivoluzionario o lrsquo;impossibilitagrave; di vedere,rdquo; Quadri amp; Sculture, III, No. 15, July-August 1995, 25-9
    • Italian translation of expanded version in Lavin, Caravaggio e La Tour, 2000, 5-34
    • Expanded English version: ldquo;Caravaggio Revolutionary or the Impossibility of Seeing,rdquo; in Klaus Bergdolt and Giorgio Bonsanti, eds., Opere e giorni. Studi su mille anni di arte europea dedicati a Max Seidel, Venice, 2001, 625-44 (PDF)
    • French translation in Paulette Choneacute;, et al., L#39;Acirc;ge d#39;or du nocturne, Paris, 2001, 139-82, 236-41(PDF)
  65. ldquo;Erwin Panofsky, Jan van Eyck, Philip Pearlstein,rdquo; in Lavin, Meaning in the Visual Arts, 1995, x-xiii (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 184-7
    • Reprinted in The Institute Letter, Spring 2010, 3
  66. Introduction to Lavin, ed., Erwin Panofsky. Three Essays on Style ,1995, 1-14 (PDF)
    • Italian translation in Lavin, ed., Erwin Panofsky. Tre saggi sullo stile, 1996, 9-19
    • French translation in Lavin, ed., Erwin Panofsky. Trois essais sur le style, 1996, 11-25
    • Spanish translation in Lavin, ed., Erwin Panofsky. Sobre el estilo, 2000, 11-33
  67. ldquo;Why Baroque,rdquo; in Lisa G. Corrin, ed., Going for Baroque. 18 Contemporary Artists Fascinated with the Baroque and Rococo, Baltimore, 1995, 5-8 (PDF)
    • Excerpt from revised and expanded version: ldquo;Decantarse por el Barroco [Frank Gehry y los pantilde;os plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],rdquo; El Croquis, No. 117, 2003, 40-7
    • Revised and expanded version: ldquo;Going for Baroque: Observations on the post-modern fold,rdquo; in Sebastian Schuuml;tze ed., Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002, Rome, 2004, 423-52 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 16-35
  68. ldquo;The Crisis of lsquo;Art Historyrsquo;,rdquo; The Art Bulletin, LXXVIII, 1996, 13-15 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 200-5
  69. ldquo;The Problem of the Choir of Florence Cathedral,rdquo; in Sotto il cielo della cupola. Il coro di Santa Maria del Fiore dal rinascimento al 2000, Milan, 1997, 142-50 (PDF)
    • Italian translation of revised and expanded version in Lavin, Santa Maria del Fiore, 1999, 15-33
    • Revised and expanded English version in Timothy Verdon and Annalisa Innocenti, eds. La cattedrale come spazio sacro. Saggi sul duomo di Firenze. Atti del VII centenario del Duomo di Firenze, II, 2, Florence, 2001, 397-420
  70. ldquo;The Roma Alessandrina of Richard Krautheimer,rdquo; in Julian Kliemann, ed., In Memoriam Richard Krautheimer, Rome, 1997, 107-17 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, II, 748-756 (PDF)
  71. ldquo;Berninirsquo;s Bust of the Medusa: An Awful Pun,rdquo; in Sible De Blaauw, et al., eds., Docere delectare movere. Affetti, devozione e retorica nel linguaggio artistico del primo barocco romano, Rome, 1998, 155-74 (PDF)
    • Enlarged version published in Italian and English, in Elena Bianca di Gioia, ed., La Medusa di Gian Lorenzo Bernini. Studi e restauri, Rome, 2007, 57-130 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, II, 789-848 (PDF)
  72. ldquo;Il problema dei senzatetto nelle Roma del Seicento,rdquo; in Lavin, Bernini e il salvatore, 1998, 81-94 (PDF)
    • Published in English as ldquo;Berninirsquo;s Bust of the Savior and the Problem of the Homeless in Seventeenth-Century Rome,rdquo; Italian Quarterly, XXXVII, 2000, 209-51 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, II, 849-916 (PDF)
  73. ldquo;Ex Uno Lapide: The Renaissance Sculptorrsquo;s Tour de Force,rdquo; in Matthias Winner, et al., eds., Il cortile delle statue. Der Statuenhof des Belvedere im Vatikan, Mainz, 1998, 191-210 (PDF)
  74. ldquo;Il busto di Francesco I drsquo;Este di Bernini. lsquo;Impresa quasi impossibilersquo;,rdquo; in Jadranka Bentini, Sovrane passioni. Le raccolte drsquo;arte della Ducale Galleria Estense, exhib. cat., Milan, 1998, 86-99 (PDF)
    • Also published in Lavin, Bernini e lrsquo;immagine, 1998, 15-33
    • English version: quot;#39;Impresa quasi impossibile#39;: The Making of Bernini#39;s Bust of Francesco I d#39;Este,quot; in Lavin, Visible Spirit, II, 2009, 757-788 (PDF)
  75. ldquo;Bernini e lrsquo;immagine del principe cristiano ideale,rdquo; in Lavin, Bernini e lrsquo;immagine, 1998, 34-52 (PDF)
    • English version: ldquo;Berninirsquo;s Image of the Ideal Christian Monarch,rdquo; in John W. O#39;Malley, et al., eds., The Jesuits. Cultures, the Sciences, and the Arts. 1540-1773, Toronto, etc., 1999, 442-79 (PDF)
    • Spanish translation in Figuras e imaacute;genes del barroco. Estudios sobre el barroco espantilde;ol y sobre la obra de Alonso Cano, Madrid, 1999, 27-44
    • Revised English version: ldquo;Berninirsquo;s Image of the Ideal Christian Monarch,rdquo; in Lavin, Visible Spirit, II, 917-954nbsp; (PDF)
  76. ldquo;Berninirsquo;s Bumbling Barberini Bees,rdquo; in Joseph Imorde, et al., eds., Barocke Inszenierung, Zurich, 1999, 50-71 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, II, 955-1017 (PDF)
  77. ldquo;The Body Artist,rdquo; in Joanna Frueh, et al., eds., Picturing the Modern Amazon, New York, 1999, 7-8 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 144-7
  78. ldquo;La cristologia di Santa Maria del Fiore,rdquo; in Lavin, Santa Maria del Fiore, 1999, 35-57
    • English version: quot;Santa Maria del Fiore: Image of the Pregnant Madonna. The Christology of Florence Cathedral,quot; in Timothy Verdon and Annalisa Innocenti, eds., La cattedrale e la cittagrave;. Saggi sul duomo di Firenze (Atti del VII centenario del Duomo di Firenze, I, 2, Florence, 2001, 669-92 (PDF)
  79. ldquo;Michelangelo: La Madonna Medici, figlio e sposo,rdquo; in Lavin [with Marilyn Aronberg Lavin] Liturgia d#39;amore, 1999, 141-213 (PDF)
    • Revised English version: ldquo;Michelangelorsquo;s Medici Madonna: Spouse and Son,rdquo; in Lavin [with Marilyn Aronberg Lavin], The Liturgy of Love, 2001, 49-83
  80. Remarks in Celebration of the Centenary of the Kunsthistorisches Institut in Florenz, in Kunsthistorisches Institut in Florenz. Einhundertjauml;hriges Jubilauml;um. 1897-1997. Jahresbericht, Florence, 1999, 8-9 (PDF)
  81. [With Marilyn Aronberg Lavin], ldquo;Rembrandt: lsquo;La sposa ebrearsquo;, sorella e moglie,rdquo; in Lavin [with Marilyn Aronberg Lavin] Liturgia d#39;amore, 1999, 215-44
    • Revised English version: quot;Rembrandt#39;s Jewish Bride: Sister and Spouse,quot; in Lavin [with Marilyn Aronberg Lavin], The Liturgy of Love, 2001, 85-104 (PDF)
    • Reprinted in Karl Mouml;seneder and Gosbert Schuuml;ssler, eds. ldquo;Bedeutung in den Bildern.rdquo; Festschrift fuuml;r Jouml;rg Traeger zum 60. Geburtstag, Regensburg, 2002, 147-86
  82. ldquo;Bernini in San Pietro,rdquo; in Antonio Pinelli, ed., La basilica di San Pietro in Vaticano, 4 vols., Modena, 2000, Saggi, 177-236 (PDF)
    • Revised and expanded English version: quot;Bernini at Saint Peter#39;s: singularis in singulis, in omnibus unicus,quot; in William Tronzo, ed., St. Peter#39;s in the Vatican, Cambridge, etc., 2005, 111-243
    • Greatly revised and expanded as Lavin, Bernini at St. Peterrsquo;s. The Pilgrimage, London, 2012
  83. ldquo;Georges de La Tour. The Tears of St. Peter and the #39;Occult#39; Light of Penitence, rdquo; in Max Seidel, ed., L#39;Europa e l#39;arte italiana, Venice, 2000, 352-75 (PDF)
    • Italian translation in Lavin, Caravaggio e La Tour, 2000, 39-70
    • French translation in Paulette Choneacute;, et al., L#39;Acirc;ge d#39;or du nocturne, Paris, 2001, 183-228, 241-8
  84. ldquo;Storm King: The Genius of the Place,rdquo; in Earth, Sky, and Sculpture. Storm King Art Center, Mountainville, NY., 2000, 52-64 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 126-31
  85. ldquo;Bernini-Bozzetti: One More, One Less. A Berninesque Sculptor in Mid-Eighteenth Century France,rdquo; in Hannah Baader, et al., eds., Ars et scriptura. Festschrift fuuml;r Rudolf Preimesberger zum 65. Geburtstag, Berlin, 2001, 143-56 (PDF)
    • Reprinted in Accademia Nazionale dei Lincei. Atti dei convegni lincei 170. Convegno internazionale La cultura letteraria italiana e lrsquo;identitagrave; europea [Roma, 6-8 aprile 2000], Rome, 2001, 245-84
    • Revised and reprinted in Lavin, Visible Spirit, II, 1018-1045 (PDF)
  86. ldquo; lsquo;Bozzetto Stylersquo;: The Renaissance Sculptorrsquo;s Handiwork,rdquo; presented in Irving Lavin and Henry A. Millon, eds., Creativity: The Sketch in the Arts and Sciences, A Conference Sponsored Jointly by the School of Historical Studies, Institute for Advanced Study, and the Center for Advanced Study in the Visual Arts, National Gallery of Art, May 23-25, 2001, unpublished (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, II, 1174-1233 (PDF)
  87. ldquo;Les filles drsquo;Avignon. Picassos schouml;pferische Summe von Zerstouml;rungen,ldquo; in Steingrim Laursen and Ostrud Westheider, eds., Picasso und die Mythen, exhib. cat., Hamburg, 2002, 42-55
    • Revised and enlarged French version: ldquo;Les Filles drsquo;Avignon de Theacute;odore Aubanel et la lsquo;somme de destructionsrsquo;de Picasso, in Picasso Cubiste, exhib. cat., Paris, 2007, 55-69 (PDF)
    • English edition: Cubist Picasso, Paris, 2007, 55-69 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 42-61
    • Published separately in French in the Collection Entre-Vues des Editions Universitaires drsquo;Avignon, Avigno, 2009
  88. ldquo;The Angel and the City. Baccio Bandinellirsquo;s Project for the Castel Santrsquo;Angelo in Rome,rdquo; in Peta Motture, ed., Large Bronzes in the Renaissance (National Gallery of Art. Studies in the History of Art 64), Washington, 2003, 308-29 (PDF)
  89. Letter to the Editor. ldquo;Michelangelorsquo;s Florentine Pietagrave;,rdquo; The Art Bulletin, LXXXV, 2003, 813 (PDF)
  90. ldquo;La mort de Bernin: visions de reacute;demption,rdquo; in Alain Tapieacute;, ed., Baroque vision jeacute;suite. De Tintoret agrave; Rubens, exhib. cat., Paris, 2003, 105-19 (PDF)
    • Revised English version: quot;Bernini#39;s Death: Visions of Redemption,quot; in Lavin, Visible Spirit, II, 1046-1086 (PDF)
  91. ldquo;The Story of O from Giotto to Einstein (Excerpt*),rdquo; Bildwelten des Wissens. Kunsthistorisches Jahrbuch fuuml;r Bildkritik, I, 2, 2003, 37-43 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 36-41
  92. ldquo;Bernini giovane,rdquo;in Olivier Bonfait and Anna Coliva, eds., Bernini dai Borghese ai Barberini. La cultura a Roma intorno agli anni venti (Atti del convegno, Rome, February 17-19, 1999), Rome, 2004, 134-48
    • Revised English version: ldquo;The Young Bernini,rdquo; in Studi sul Barocco romano. Scritti in onore di Maurizio Fagiolo dellrsquo;Arco, Milan, 2004, 39-56 (PDF)
    • Revised English Version: quot;The Young Berniniquot; in Lavin, Visible Spirit, II, 1127-1173 (PDF)
  93. ldquo;The Rome of Alexander VII. Bernini and the Reverse of the Medal,rdquo; in Fernando Checa Cremades, Arte barroco e ideal claacute;sico. Aspectos del arte cortesano de la segunda mitad del siglo XVII, Madrid, 2004, 131-41 (PDF)
    • ldquo;La Roma de Alejandro VII: Bernini y el reverso de la medalla,rdquo; in Francisco Jarauta, ed., De la ciudad Antigua a la cosmoacute;polis, Santander, 2008, 71-95
    • Revised and reprinted in Lavin, Visible Spirit, II, 1087-1126 (PDF)
  94. ldquo;Reason and Unreason at Olynthus,rdquo; in Heacute;legrave;ne Morlier, ed., La mosaiuml;que greacute;co-romaine, 9, 2 vols., Rome, 2005, II, 933-40 (PDF)
  95. ldquo;Il dono regale. Bernini e i suoi ritratti di sovrani,rdquo; Lettere italiane, LVII, 2006, 535-57 (PDF)
    • Revised English version: quot;The Regal Gift: Bernini and his Portraits of Royal Subjects,quot; in Lavin, Visible Spirit, II, 1234-1266 (PDF)
  96. ldquo;Il Volto Santo di Claude Mellan: ostendatque etiam quae occultet,rdquo; in Christoph L. Frommel and Gerhard Wolf, eds., L#39;immagine di Cristo. Dall#39;acheropita alla mano d#39;artista. Dal tardo medioevo all#39;etagrave; barocca, Studi e testi 432., Vatican City, 2006, 449-91 (PDF).
    • French translation in Christian Mouchel and Colette Nativel, eds., Reacute;publique des Letters, Reacute;publique des Arts. Meacute;langes offerts agrave; Marc Fumaroli, de lrsquo;Acadeacute;mie Franccedil;aise, Geneva, 2008, 385-414 (PDF)
  97. ldquo;Michelangelo, Mosegrave; e il lsquo;papa guerrierorsquo;,rdquo; in Aldo Galli, et al., eds., Il ritratto nell#39;Europa del Cinquecento. Arte, letteratura, societagrave;, convegno internazionale di studi (Florence, Istituto Nazionale di Studi sul rinascimento, 7-9 novembre 2002), Florence, 2007, 199-215 (PDF)
  98. ldquo; lsquo;We must leave the city to our children exactly as we found itrsquo;, rdquo; in Philine Helas, et al., eds., Bild/Geschichte. Festschrift fuuml;r Horst Bredekamp, Berlin, 2007, 491-8 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 188-95
    • Italian translation in Storie di artisti. Storie di libri. Lrsquo;Editore che inseguiva la Bellezza. Scritti in onore di Franco Cosimo Panini, Modena and Rome, 2008, 241-7 (PDF)
  99. ldquo;Urbanitas urbana. The Pope, the Artist, and the Genius of the Place,rdquo; in Lorenza Mochi Onori, et al., eds., I Barbernini e la cultura europea del seicento, Rome, 2007, 15-30 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, II, 1267-1335 (PDF)
  100. ldquo;Modern Art and Kirk Varnedoersquo;s Books,rdquo; Institute for Advanced Study Newsletter, Winter, 2007, 9 (PDF)
  101. ldquo;The Baldacchino. Borromini vs Bernini: Did Borromini Forget Himself?,rdquo; in Georg Satzinger and Sebastian Schuuml;tze, eds., St. Peter in Rom 1506ndash;2006, Akten der internationalen Tagung 22.ndash;25.02.2006 in Bonn, Munich, 2008, 261-86 (PDF)
    • Revised and reprinted in Lavin, Visible Spirit, II, 1336-1384 (PDF)
  102. ldquo;WHIMSY: An Allegory of Urbane Urban Patronage, from Rome to Montrealrdquo; (Revised and expanded version of an essay first presented at a symposium in celebration of Phyllis Lambertrsquo;s Eightieth Birthday, January 24, 1927, at the Institute of Fine Arts, New York University, October 20, 2007, organized by Sylvia Lavin), published in Log: Observations on Architecture and the City, 15, 2009, 75-87 (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 132-41 (PDF)
    • ldquo;WHIMSY: An Allegory of Urbane Urban Patronage, from Rome to Montrealrdquo;, 2011 (PDF)
  103. quot;Frank Stella Talks Too Much,quot; National Arts Club Artists Award, Medal of Honor, to Frank Stella, National Arts Club, January 24, 2001 (PDF)
    • Italian translation in ldquo;Frank Stella parla troppo,rdquo; in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 112-5 (PDF)
  104. quot;Frank Stella: Ut pictura poesis,quot; presented at a Symposium at the University of Jena, Germany, March 24, 2001, in conjunction with an exhibition of Stellarsquo;s Heinrich von Kleist series; see Franz-Joachim Verspohl, et al., eds. Heinrich von Kleist by Frank Stella: Werkverzeichnis der Heinrich von Kleist-Serie, Jena and Cologne, 2001; a companion volume was devoted to Stellarsquo;s writings: The Writings of Frank Stella. Die Schriften Frank Stellas (PDF)
    • Italian translation in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 116-25 (PDF)
  105. ldquo;Storia dellrsquo;arte ldquo;allrsquo;italiana,rdquo; in Drsquo;Onofrio, Mario, ed., Adolfo Venturi e la Storia dellrsquo;arte oggi, Modena, 2008, 415-7 (PDF)
    • Reprinted in Lavin, Lrsquo;arte della storia dellrsquo;arte, 2008, 196-9
  106. ldquo;Marc Fumarolirsquo;s Rhetoric of Art History,rdquo; address delivered at the presentation of the volume Reacute;publique des Letters, Reacute;publique des Arts. Meacute;langes offerts agrave; Marc Fumaroli, de lrsquo;Acadeacute;mie Franccedil;aise, edited by Christian Mouchel and Colette Nativel, Geneva, 2008, Fondation Singer-Polignac, Paris, October 10, 2008 (PDF)
  107. ldquo;The Gehry Move.rdquo; Introduction to a speech, ldquo;Thinking Out Loud,rdquo; by Frank O. Gehry, Institute for Advanced Study, Princeton, NJ, March 16, 2011 (PDF)
  108. ldquo;Footsteps on the Way to Redemption. The Pedestals of Berninirsquo;s Baldacchino in St. Peterrsquo;s,rdquo; in Giovanni Morello, ed., La Basilica di San Pietro. Fortuna e immagine, Rome, 2011, 245-313 (in course of publication)